fishing waters high does great! Lincoln White Have you seen our lake and the river lately?! Many of the local valley residents would be of agreement, we have not seen water this high since '06. Now, as someone who has spent his weekend and full week around the lake and the river, let me tell you something right now is high!
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HUGE LOT OF BETTY NEELS ROMANCE NOVELS VINTAGE AND NEWER SOME RARE HERE IS A HUGE LOT OF PAPERBACK BETTY NEELS BOOKS. LISTED: HARLEQUIN A GIRL TO LOVE 2520 FIRST ED. 1982, THE BEST OF BETTY NEELS, THE QUIET PROFESSOR 1992, HARLEQUINE 3339 THE AWAKENED HEART 1993 HARLEQUIN 3053 THE CHAIN OF DESTINY 1990 UNREAD, HAR. 2855 STORMY SPRINGTIME FIRST ED. 1987. HILLTOP TRYST HAR. 3071 FIRST ED. 1990. THE BEST OF BETTY NEELS WINTER OF CHANGE, NEW AND UNREAD. ALL OF THESE … |
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3br – Huge Lot. Orange Trees. Palma Sola Bay View $214 This beautifully furnished Palma Sola rental home offers so much more than an average rental. An comfortable home on a HUGE lot with orange trees and an avocado tree, thoughtfully equipped so that you and your family will have a wonderful, memorable… |
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Medium Rare $9.99 Between 1985 and 2003, the Mighty Mighty Bosstones were one of Boston’s most prolific and beloved bands, as well as the pioneering force in what would eventually become known as the third-wave ska scene of the 1990s. Medium Rare is a collection of B-sides from their later years, along with three new songs recorded in 2007 in anticipation of a set of hometown reunion shows that December. The one outlier is a 1994 B-side, “Chocolate Pudding,” with vocals by trombonist Johnny Vegas, with the rest of the material covering the years 1997 to 2001, when the Bosstones were at their highest period of commercial visibility thanks to hits like “The Impression That I Get.” By this point in the band’s career, all of the rough edges and hardcore punk influences of their early years (bassist Joe Gittleman was formerly of Boston skate punk heroes Gang Green, and the band originally formed in the midst of Boston’s hardcore scene) are long gone, so songs like “Who’s Fooling Who?” and “To California” are as poppy and polished as the band’s A-side material from this era. Clearly, the Bosstones were not a band that held to the theory that B-sides were the place for bizarre experiments or stylistic changeups, because any of these songs would have fit comfortably on albums like Let’s Face It or Pay Attention. The three 2007 recordings are, surprisingly, a bit punkier and a lot more rough-edged: even the tribute to a late ska hero, “Don’t Worry Desmond Dekker,” dials back the horn section and the skanking rhythms in favor of distorted, upfront guitars, and “The List” and “The One with the Woes All Over It” hark back to the tougher approach of the band’s early albums on the local Taang! label. The Mighty Mighty Bosstones have announced that these recordings and the December 2007 live shows are the band’s last stand, which is probably for the best; for one thing, the new songs reveal that frontman Dicky Barrett’s voice, although never a thing of beauty, is pretty close to shot. Medium Rare is a nice parting gift to the faithful, but further reunions would likely only sully the brand. ~ Stewart Mason, Rovi |
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MumboJumbo Build-a-lot $19.99 Software Cartridge 1031-10462 www.mumbojumbo.com Become a real estate mogul and take over the housing market as you construct, upgrade and sell houses for huge profits. You can flip houses for quick cash or sit back and watch the rental income pile up. Travel to scenic towns and perform special tasks for the local mayors, or toss out the blueprints and create your own dream neighborhood in Casual mode. There’s plenty to do and lots of fun ahead in Build-a-lot! Nintendo DS Top real estate game out Two exciting modes of play: Career & Casual Travel to and improve the right neighborhoods Construct special buildings like museums, mansions and castles MumboJumbo, LLC Build-a-lot Build-a-lot Action/Adventure Game Game MumboJumbo E (Everyone) |
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Huge $19.98 Recorded as a guitar-less trio (Hugh Hopper on bass, Kramer on piano, organ, and tape loops, plus Damon Krukowski on drums), Huge is marginally less chaotic than Hopper and Kramer’s previous collaboration, 1994’s A Remark Hugh Made. Each of the songs is a relatively concise (only two tracks break the five-minute mark) and melodic improvisation on a basic theme, which generally is introduced, soloed upon, and quickly resolved, with Kramer’s found voices and sound effects providing the album’s only truly random element. In fact, the album is so profoundly “normal” sounding that fans of the participants’ more extreme musical endeavors might be slightly disappointed. On its own merits, however, Huge is a pleasant, sometimes enchanting, dip in the shallow end of the collective improvisation pool. Fans of the early Soft Machine’s more lyrical moments might find this music familiar. ~ Stewart Mason, All Music GuidePerformers: Kramer – Emulator, Organ, Piano, Tape; Hugh Hopper – Guitar (Bass); Damon Krukowski – Drums, Percussion |
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Rare B-Sides 1963-1989 $16.98 Like the Lost and Found collection of unreleased material that was released alongside it, Rare B-Sides comes as both a blessing and a curse to the Cliff Richard collector — a blessing, because its 25 songs serve up a fine snapshot of his B-side activity between 1963 and 1973 (plus three flips from the ’80s that do feel out of place); and a curse because anybody who bought the 50th anniversary box set on the strength of its quotient of rarities and unreleased material is probably feeling a little sore right now. This disc rounds up a lot of that box’s most stellar discoveries. For those who held out against that pricey collection, however, Rare B-Sides ranks among the most intelligent Richard repackagings of recent years. The vast majority of its contents have never seen CD release before; a couple of tracks (1973’s “I Only Know I Love You” and 1983’s “Back in Vaudeville” were never even released in the U.K.), and the sheer strength of the bulk of the material does the rest. So many of Richard’s ’60s singles could have been released as double A-sides, had the marketing men only seen fit to do so, and it’s a genuine pleasure to revisit the likes of “Say You’re Mine,” “Just Another Guy,” “Just a Little Bit Too Late,” and “Somebody Loses.” Enjoyable, too, are some of the songs he buried away on his B-sides around the end of the decade, a period that many fans consider his weakest — “Annabella Umbrella” may be a silly song, but it’s also thoroughly enjoyable! A full survey of all Richard’s B-sides, similar to the multi-disc package of his A-sides released in 2002, is probably too much for fans to hope for, which means there’s still another few disc’s worth of material awaiting rediscovery. But for now, this collection will do very nicely, indeed. ~ Dave Thompson, Rovi |